The Bed-Sitting Room | |
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Directed by | Richard Lester |
Written by | Sceenplay by John Antrobus, adapted by Charles Wood, based on the play by Spike Milligan & John Antrobus |
Starring | Rita Tushingham Dudley Moore |
Release date(s) | June 1969 (Berlin) 25 March 1970 (UK) |
Running time | 90 minutes |
Country | United Kingdom |
Language | English |
The Bed-Sitting Room is a 1969 British comedy film directed by Richard Lester and based on the play of the same name. It was entered into the 19th Berlin International Film Festival.[1]
Contents |
The film is set in London on the third or fourth anniversary of a war which lasted two minutes and twenty-eight seconds, including signing the peace treaty. Three (or possibly four) years after the nuclear holocaust, the survivors wander amidst the debris. Penelope is 17 months pregnant and lives with her lover, Alan, and her parents on a tube train on the (still functioning) Circle Line.
Other survivors include Captain Bules Martin, who holds a "Defeat of England" medal, as he was unable to save Buckingham Palace from disintegration during the war. Lord Fortnum (Richardson) is fearful that he will mutate into the "bed sitting room" of the title. Mate is a fireguard, except that there is nothing left to burn. Shelter Man is a Regional Seat of Government who survived the war in a fallout shelter and spends his days looking at old films (without a projector) and reminiscing about the time he shot his wife and his mother as they pleaded with him to let them in his shelter. Similarly, the "National Health Service" is the name of a male nurse, although overwhelmed by the extent of the war. Finally, there are two policemen, who hover overhead in the shell of a Morris Minor Panda car that has been made into a makeshift balloon, and shout "keep moving" at any survivors they see to offset the 'danger' of them becoming a 'target' in the unlikely event of another outbreak of hostilities.
Lord Fortnum travels to 29 Cul de Sac Place and actually does become a bed sitting room. Penelope's mother is provided with a death certificate, after which she turns into a wardrobe. Penelope is forced to marry Martin because of his "bright future", despite her love for Alan. Her father is initially selected to become Prime Minister due to his prodigious leg length, but unfortunately, he mutates into a parrot and is eaten due to the starvation conditions that prevail.
Penelope finally gives birth, but her monstrous mutant progeny dies. It emerges that Martin is impotent, so he yields marriage consummation to Alan. Penelope has a second child, which is normal, and there is an indication of hope for the future of the country amidst the devastation when it transpires that a team of surgeons have developed a cure for the mutations involving full-body transplant. Finally, a military band pays homage to Mrs. Ethel Shroake of 393A High Street, Leytonstone, the late Queen's former charwoman, and closest in succession to the throne.
The absurdity of the film extends even to the settings. One scene is shot besides a pile upon which a British pottery firm had been throwing rejected plates since World War II[2] (the joke being that an actor is looking for a dish that isn't broken). Another set of the film is a mock triumphal arch made of appliance doors, beneath which a Mrs. Ethel Shroake ("of 393A High Street, Leytonstone"), the closest in line for the throne, is mounted on a horse. Even the opening credits have a touch of the absurd, listing the cast not by appearance or alphabetically, but by height.
The BFI have released The Bed-Sitting Room on DVD and Blu-ray through its Flipside line.[3]
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